Literature

Story Writing: Beginning, Middle and End

The Spark

Concept

Every good story has three parts: a beginning that introduces the characters and setting, a middle where something happens (usually a problem), and an end where the problem is resolved and we see how everyone feels. Having this structure helps young writers organise their ideas before they start.

Activity

Ask your child to think of their favourite story. Together, identify: Who is it about? What goes wrong? How does it end? This shows that all stories follow this shape.

Check

Does the story have a clear beginning, middle and end? Is there a problem that gets solved? Can your child explain why they made their character choices?

1

Put the Story Parts in Order (Set A)

These story events are mixed up. Number them 1–5 in the correct order.

?
Mia found a tiny door hidden behind the bookshelf.
?
She pushed open the door and stepped into a magical garden.
?
One afternoon, Mia was looking for her lost cat.
?
Her cat was sitting there, perfectly happy, eating strawberries.
?
Mia laughed with relief and carried her cat back home.
TipAsk your child to identify which part (beginning, middle or end) each event belongs to before numbering.
2

Sort the Story Events Into Parts

Read each event. Sort it into the correct story part: Beginning, Middle or End.

Tom found a mysterious map in an old chest.
He explored the enchanted forest for hours.
Tom lived in a small cottage near the sea.
Finally he found the hidden treasure.
Tom arrived home and shared the treasure with his family.
He got lost and couldn't find the path.
Beginning
Middle
End
TipDiscuss together: does this event introduce the story, create a problem, or resolve it?
3

Plan Your Story

Fill in the story plan. Use short notes — you will turn these into sentences later.

BEGINNING — Who is your character? Where are they? When?

MIDDLE — What problem or challenge happens?

END — How is the problem solved? How does your character feel?

4

Write Your Story

Use your plan to write your story. Write at least 2–3 sentences for each part. Give it a title!

Title:

BEGINNING:

MIDDLE:

END:

5

Match the Story Element to Its Purpose

Draw a line from each story element to what it does in the story.

Beginning
Problem
Resolution
Setting
Character
Who the story is about
Introduces the character and where they are
Where and when the story takes place
The challenge the character must overcome
How the problem is solved and the story ends
7

Write a Story Opener

Write the first 2–3 sentences of a story. Your opener must introduce: (1) the main character, (2) where they are, and (3) something that makes the reader want to keep reading.

My story opener:

What technique did I use to hook the reader?

TipA great story opener hooks the reader immediately. Encourage your child to start with action, an interesting question, or vivid description — not 'Once upon a time' if they can help it!
8

Which Is the Best Story Opener?

Circle the opener that is most likely to hook a reader. Then explain why.

Which is the best opener for a mystery story?

Once upon a time there was a girl.
Lila's hands were shaking as she opened the door to the empty house.
This is a story about a girl named Lila.

Which is the best opener for an adventure story?

Jake is an adventurer.
There was a boy who liked adventures.
Jake ran. He could hear the footsteps getting closer.
9

Put the Story in Order (Set B)

Number these sentences 1–6 to make a story that flows logically.

?
She decided to go and investigate.
?
At last, she found the source — a tiny rabbit stuck under the fence.
?
She gently freed the rabbit and carried it to safety.
?
One sunny afternoon, Priya heard a strange sound from the garden.
?
She searched everywhere but could not find what was making the noise.
?
Priya smiled, watching the rabbit hop away happily into the bushes.
10

Identify the Problem in These Story Summaries

Read each story summary. Write the PROBLEM (what makes it interesting) and the RESOLUTION (how it is solved).

Summary: 'A boy got lost in the bush but found his way home by following a creek back to the road.' Problem: ___ Resolution: ___

Summary: 'A girl wanted to bake a birthday cake but had no eggs. She borrowed them from a neighbour and the party was saved.' Problem: ___ Resolution: ___

12

Plan Three Different Stories Using the Same Structure

Use this planning frame three times to quickly plan three different story ideas.

Story 1 — Character: ___ Setting: ___ Problem: ___ Resolution: ___

Story 2 — Character: ___ Setting: ___ Problem: ___ Resolution: ___

Story 3 — Character: ___ Setting: ___ Problem: ___ Resolution: ___

Which idea do I like best and why?

13

Write the Middle of a Story

Here is the beginning and end of a story. Write the MIDDLE — what problem happens and how does the character begin to deal with it? BEGINNING: 'Zoe had been waiting all year for the school camping trip. When the day finally arrived, she jumped out of bed before the alarm even went off.' END: 'Back at camp that evening, Zoe laughed about the day's adventure. It had not gone to plan — but it was the best story she had ever lived.'

MIDDLE:

14

Write the End of a Story

Here is the beginning and middle. Write the END — resolve the problem and show how the character feels. BEGINNING: 'Oscar the dog loved to explore the park. One Thursday morning, he slipped through a gap in the fence and found himself on a very unfamiliar street.' MIDDLE: 'Oscar walked for what felt like hours. He tried to follow familiar smells but everything was strange. He stopped at a busy corner, unsure which way to go. A small girl noticed him and read the name on his collar: OSCAR.'

END:

16

Show, Don't Tell: Rewrite These Sentences

Rewrite each 'telling' sentence as a 'showing' sentence — reveal the feeling through actions or details.

Telling: She was nervous. Showing:

Telling: He was excited. Showing:

Telling: They were bored. Showing:

Telling: The old house was spooky. Showing:

TipThis is one of the most valuable writing techniques at any level. Model the first rewrite together if needed.
17

Develop Your Character

Choose a character for your next story. Fill in the character profile.

Name: ___ Age: ___ Appearance: ___

What does your character want most in the world?

What is your character afraid of?

What is one surprising thing about your character?

Write 2 sentences that SHOW (not tell) your character's personality:

18

Sort: Show or Tell?

Read each sentence. Sort it into 'Shows the feeling' or 'Tells the feeling'.

She was sad.
Tears ran down her cheeks as she stared at the empty chair.
He clenched his fists and stared at the floor without blinking.
He was angry.
She couldn't stop laughing, even when she tried to.
She was happy.
Shows the feeling
Tells the feeling
19

Story Telling Together

Tell stories together out loud — this builds narrative structure naturally before writing.

  • 1Take turns telling a made-up story — alternate adding one sentence each
  • 2Retell a favourite book in just three sentences (beginning, middle, end)
  • 3Act out your story with toys or stuffed animals
  • 4Record your child telling their story on a phone or tablet to play back
21

Describe the Setting in Detail

Write a setting description (4–5 sentences) for a story. Use sensory details (what you see, hear, smell, feel). Your setting should create a strong mood.

My chosen setting: ___

My setting description:

TipSetting descriptions are much more powerful when they use all the senses — not just sight. Encourage your child to close their eyes and imagine being in the setting.
22

Sort Setting Details by Sense

Read each setting detail. Sort it by which sense it appeals to.

The old floorboards groaned underfoot.
Moonlight cast long shadows across the floor.
The air smelled of salt and seaweed.
A cold wind slipped under the door.
Waves crashed against the rocks below.
The trees were dark against the pale sky.
Smoke drifted from the chimney.
The rough bark scraped her palms.
Sight
Sound
Smell
Touch/Feel
23

Write a Story Opening Using the SENSE Method

Write a 4-sentence story opening using one detail from each sense category. Your opening should set the scene and mood without yet introducing the problem.

Sight: ___

Sound: ___

Smell or touch: ___

Combine them into a flowing paragraph:

24

Create a Problem and a Solution

Write 3 different problems that could happen to this character: a 7-year-old who wakes up to find they have shrunk to the size of a mouse. Then choose the best one and write how the character solves it.

Problem 1:

Problem 2:

Problem 3:

Best problem: ___ Solution:

25

Write Using Story Prompts: The Mysterious Key

Use this story starter to write a complete story (beginning, middle, end). Starter: 'On the morning of her eighth birthday, Rosa found a golden key under her pillow.'

My plan: Character: ___ Problem: ___ Resolution: ___

My story:

TipStory starters remove the pressure of having to invent everything — the child only needs to continue. Celebrate any creative direction they take.
26

Practise Writing Dialogue

Write a short dialogue (4–6 lines) between two characters — a child and a talking animal. The dialogue should reveal something about the problem in the story.

My dialogue:

TipDialogue makes characters feel real. Remind your child: new speaker = new line, speech in quotation marks, comma before the closing quote.
28

Which Dialogue Is Correctly Punctuated?

Circle the correctly punctuated version of each dialogue.

Choose the correct version:

"I cannot reach it," she said.
"I cannot reach it" she said.
"I cannot reach it". She said.

Choose the correct version:

"What time is it?" asked Ben.
"What time is it" asked Ben.
"What time is it?" Asked Ben.

Choose the correct version:

"Come quickly," he shouted.
"Come quickly." he shouted.
"Come quickly" he shouted.
29

Vary the Dialogue Verb

Rewrite each 'said' sentence using a more interesting speech verb. The verb should show HOW the character spoke.

'Watch out!' said Jake. → ___

'I don't know the answer,' said Lily. → ___

'Please, I'll do anything,' said the prisoner. → ___

'I've done it!' said the scientist. → ___

TipSpeech verb vocabulary (whispered, demanded, exclaimed, etc.) is a key element of Year 2 narrative writing.
31

Plan a Problem Ladder

Choose a problem for a character. Plan a 'problem ladder' — the character tries and fails before eventually succeeding.

Character: ___ Problem: ___

First attempt (what they try): ___

What goes wrong: ___

Second attempt: ___

Final resolution: ___

32

Write a Story With a Problem Ladder

Using your problem ladder plan, write a story (8–10 sentences) that shows the character trying and failing before finally succeeding.

My story:

33

Write Using a Random Story Generator

Use these randomly chosen elements to write a story plan and then the first paragraph. Character: an elderly lighthouse keeper. Setting: a deserted island in a storm. Problem: the lighthouse light has gone out and a ship is heading for the rocks.

My plan (beginning/middle/end):

My first paragraph:

34

Order the Story Steps: Problem Ladder

These sentences tell a story with a problem ladder. Number them in the correct order (1–6).

?
On her third attempt, she finally managed to climb the slippery wall.
?
The village was flooded and the only way out was over the old stone wall.
?
On her second try, she got halfway before slipping down again.
?
She arrived on the other side and guided the children to safety.
?
Her first attempt failed — she couldn't find a foothold.
?
She stood at the base of the wall, breathing hard, and decided to try again.
35

Develop Your Story's Ending

Read these three types of story ending. Write one example of each, using the same story (a child who gets lost on a school excursion).

Happy ending (problem fully solved, character feels relieved/happy):

Reflective ending (character learns something about themselves):

Open ending (leaves the reader wondering what happens next):

TipDifferent ending types create different emotional effects. Discuss which feels most satisfying and why.
36

Write a Complete Short Story: Bush Adventure

Write a complete short story (10–12 sentences) about a child who gets lost in the Australian bush. Use: a hook opener, sensory setting description, a problem ladder with at least 2 attempts, dialogue, and a satisfying ending.

My plan:

My story:

37

Which Word Is the Better Choice?

Circle the more vivid, specific word in each pair for use in story writing.

The character walked into the room.

went
crept

The house was old and scary.

decrepit
bad

She felt sad when she heard the news.

devastated
upset

The animal made a noise.

growled
sounded

She said she was frightened.

admitted
said
38

Story Ideas Notebook

Start a 'Story Ideas' notebook this week. Every day, add at least one new idea.

  • 1Write 3 interesting character ideas (who are they? what do they want?)
  • 2Sketch or describe 2 unusual or interesting settings
  • 3Write 3 story problems that would make a reader curious
  • 4Find one interesting overheard phrase that could start a story
39

Write With a Twist Ending

Write a short story (8 sentences) that ends with a TWIST — something the reader doesn't expect. Set up the twist carefully in the beginning and middle.

My twist (keep secret until the end): ___

My story:

41

Write a Story with Strong Character Voice

Write a story (10 sentences) in first person (using 'I'). Your story should clearly show your character's personality through the way they think and speak — not just what happens.

My story (in first person):

42

Edit Your Story: Check for All Elements

Re-read your story from activity 41. Use this checklist to review it and then rewrite one section to improve it.

Does it have a hook opener? Yes/No. If no, rewrite the opener:

Does the setting use sensory details? Yes/No. Add one sensory detail:

Is there a clear problem? Yes/No. What is it?

Is there a satisfying ending? Yes/No. If not, rewrite the ending:

43

Sort Story Techniques by Purpose

Sort each technique into the correct column based on its main purpose.

Starting with action or dialogue
Short sentences as danger approaches
Revealing what the character fears
Sensory details of sight, sound, smell
Starting with a question
Slowing down the description just before the climax
Showing how the character reacts to events
Using unusual or specific adjectives
Hooks the reader
Builds tension
Develops character
Creates vivid setting
44

Write Three Story Openers Using Different Techniques

Write three different opening sentences for the same story idea (a child who discovers a hidden room in their home). Use a different technique for each one.

Opener 1 — Start with action: ___

Opener 2 — Start with a question: ___

Opener 3 — Start with setting/atmosphere: ___

Which opener is most effective? Why?

46

Rewrite a Passage: Vary Sentence Length for Effect

Read this passage. It uses all long sentences. Rewrite it to create more tension using short sentences at the most exciting moment. Original: 'She opened the door and walked down the long corridor and the lights flickered as she reached the end and she heard a sound from behind the last door and she stopped and turned around.'

My revised version (use varying sentence lengths):

47

Write a Tension-Building Scene

Write a scene (6–8 sentences) from the middle of a story where tension is building. Use: short sentences at the most tense moment, sensory details, and show (don't tell) the character's fear.

My tension scene:

48

Match the Story Technique to an Example

Draw a line from each technique to the best example of it.

Show, don't tell (fear)
Hook opener (action)
Short sentences for tension
Sensory setting detail
Dialogue that reveals character
'I never panic,' he said, though his hands were shaking violently.
The forest smelled of pine and damp earth.
She ran. She didn't look back. She didn't dare.
The door swung open before she even touched it.
Her throat was dry. Her heart pounded. She couldn't breathe.
49

Write a Complete Story Demonstrating All Techniques

Write a complete story (12–15 sentences) using all the techniques you have learned. Your story must include: a hook opener, sensory setting description, a character revealed through actions or dialogue (show, don't tell), a problem ladder, sentence variety, and a satisfying ending.

My plan:

My story:

50

Read Like a Writer

Read any story this week with a writer's eye. Notice the techniques the author uses.

  • 1How does the story start? What technique does the author use?
  • 2Find one example of 'show, don't tell' and copy it out
  • 3Notice where the author uses short sentences — what effect does it create?
  • 4How does the story end? Does it feel satisfying? Why or why not?
51

Write a Story From an Unusual Perspective

Write a story (10 sentences) from the perspective of an unusual narrator — an object, an animal, or a minor background character. Stay in that perspective for the whole story.

My narrator: ___

My story:

TipPerspective-taking builds empathy and narrative flexibility. Celebrate unusual and inventive viewpoints.
52

Rewrite a Familiar Story From a Different Perspective

Choose a familiar fairy tale or story (e.g. 'The Three Little Pigs', 'Cinderella', 'Goldilocks'). Rewrite the story from the perspective of a minor or villain character. What does the story look like from THEIR point of view?

Story chosen: ___ Perspective character: ___

My retelling:

53

Sort Story Elements: Plot vs Character vs Setting

Sort each element into the correct category.

The bridge collapses.
A stubborn, brave 9-year-old.
A misty mountain village at dawn.
The villain finally confesses.
A scientist who loves puzzles.
An abandoned spaceship orbiting a red planet.
The hero discovers the truth.
Twins who disagree about everything.
A rainy Saturday afternoon in a small library.
Plot (what happens)
Character (who)
Setting (where/when)
54

Write a Story Where Setting Drives the Plot

Write a story (10 sentences) where the SETTING creates the problem. The setting should be so important that the plot couldn't happen anywhere else.

My setting: ___

How the setting creates the problem: ___

My story:

55

Write a Dialogue-Driven Scene

Write a scene (8–10 lines of dialogue + action tags) where the dialogue moves the plot forward and reveals character. Include at least 3 different speech verbs.

My dialogue scene:

TipDialogue-heavy scenes are a great way to build pace and reveal character without long descriptions.
56

Analyse a Story: Identify All the Techniques

Read this short story excerpt. Identify: the setting, the character, the hook technique used, any 'show don't tell' moments, and the sentence variety used. 'The lighthouse was dark. It hadn't been dark in forty years. Mira pressed her face against the cold glass and stared at the rocks below. A ship was coming. She could see its lights blinking slowly through the fog. She had maybe twenty minutes. She ran.' (Note: This is an original excerpt created for this activity.)

Setting: ___

What we know about Mira (from 'showing'): ___

Hook technique: ___

Sentence length effect: ___

What happens next? (Continue the excerpt for 3 sentences):

58

Write a Story Opening Three Ways: Compare the Effect

Write the same story opening (a fire at a school) three ways: (1) boring version, (2) using a hook and action, (3) using atmosphere and setting. Then explain which is best.

(1) Boring version:

(2) Hook and action version:

(3) Atmosphere and setting version:

Which is most effective and why?

59

Plan and Write a Longer Story

Plan a story with at least 5 key plot events (problem ladder). Then write the full story (15–18 sentences). Use at least 4 different writing techniques you have learned.

My 5-event plot plan:

Techniques I will use:

My story:

62

Organise Your Story Into Paragraphs

Take a story you have written in this worksheet. Plan how you would divide it into paragraphs. Write the first line of each planned paragraph and explain what the paragraph covers.

Paragraph 1 — first line: ___ Covers: ___

Paragraph 2 — first line: ___ Covers: ___

Paragraph 3 — first line: ___ Covers: ___

Paragraph 4 — first line: ___ Covers: ___

Paragraph 5 — first line: ___ Covers: ___

63

Write a Story in Paragraphs

Write a complete story in 5 clear paragraphs. Each paragraph should have a clear focus. Label each paragraph: Opening / Build-up / Problem / Climax / Resolution.

Opening:

Build-up:

Problem:

Climax:

Resolution:

64

Story Review: Identify Strengths and Areas to Improve

Swap a story you have written with someone at home (or self-evaluate). Write a review identifying: 2 strengths, 1 technique the writer used effectively, and 1 suggestion for improvement.

Story reviewed: ___

Strength 1: ___

Strength 2: ___

Effective technique: ___

One suggestion for improvement: ___

TipPeer or self-evaluation builds metacognitive skills. Focus feedback on the writing, not the writer — always start with strengths.
65

Revise a Story Based on Feedback

Take a story you have written and rewrite one complete section (beginning, middle or end) to improve it. Use the feedback from activity 64 or your own critical reading. Show both the original and the revised version.

Section I am revising: ___

Original version:

Revised version:

What I changed and why:

67

Write a Story With a Moral or Theme

Write a story (10–12 sentences) where the events lead the character to learn something important — a 'theme' or 'moral'. Write what the theme is BEFORE you write the story, then make sure the plot supports it.

My theme/moral: ___

How the plot will show this: ___

My story:

68

Sort These Stories by Their Theme

Read each one-sentence story summary. Match it to the most likely theme.

A girl kept trying to learn piano even after failing six times.
A boy told the truth even though it got him in trouble.
Two rivals discovered they needed each other to survive.
A child stood up to the bully even though she was scared.
A boy stayed loyal to his friend even when others turned away.
A girl kept training even when she came last every race.
Courage
Honesty
Friendship
Perseverance
69

Write a Story Plan for a Theme of Your Choice

Choose a theme that matters to you. Plan a story that explores this theme through character and plot — without ever stating the theme directly in the story.

My theme: ___

Character: ___ Problem related to theme: ___

How the plot develops the theme: ___

Ending that shows the theme: ___

TipThe best stories explore themes implicitly — through events and character choices, not through characters announcing the moral. Discuss this together.
70

Story Structure Analysis at Home

Watch a film or TV show together. Analyse its story structure after.

  • 1Identify the beginning, middle and end of the film
  • 2What is the main character's problem?
  • 3What attempts do they make to solve it before they succeed?
  • 4What do they learn? What is the theme?
71

Story Analysis: How Do Professional Writers Structure Their Stories?

Choose any novel or picture book you have read. Analyse its structure by answering these questions.

Book title: ___ Author: ___

How does the story begin? What technique does the author use?

What is the main problem? How many attempts does the character make?

How does the story end? Is it satisfying? Why?

What is the theme?

One technique you would like to borrow for your own writing:

72

Write a Story That Subverts a Convention

Choose a familiar story convention (e.g. the hero always wins, happy endings, the villain is always evil) and deliberately subvert (break) it in your story. Write the story (10–12 sentences) and explain your choice.

Convention I am subverting: ___

How my story breaks it: ___

My story:

TipSubverting conventions is a sophisticated literary technique — celebrate any genuine creative risk-taking.
73

Extended Narrative: Three-Scene Story

Write a three-scene story. Each scene must have a clear setting, at least one line of dialogue, and a distinct purpose in the plot. Scene 1 = introduction. Scene 2 = complication/problem. Scene 3 = resolution.

Scene 1:

Scene 2:

Scene 3:

74

Analyse Sentence-Level Craft

Read the following three sentences. For each one, explain: why the author made this word choice, what effect it creates, and whether you find it effective. 1. 'The empty house waited.' 2. 'She ran until the sound stopped.' 3. 'He laughed, but his eyes were sad.' (Note: These are original sentences created for this activity.)

'The empty house waited.' — Analysis:

'She ran until the sound stopped.' — Analysis:

'He laughed, but his eyes were sad.' — Analysis:

76

Write a Story With Foreshadowing

Write a story (10–12 sentences) where you plant a small clue or hint in the first paragraph that becomes important at the end. After writing, highlight the foreshadowing moment and explain it in brackets.

My foreshadowing element: ___

My story:

Explanation of the foreshadowing:

77

Write a Story Using Parallel Structure

Write a story where the beginning and ending mirror each other in some way (e.g. same setting, same action, same sentence) — but the meaning has changed because of what happened in the middle.

My opening (first paragraph):

My middle (what happens to change things):

My closing (echoes the opening but with new meaning):

How the meaning of the repeated element has changed:

TipCircular or parallel structure is a hallmark of carefully crafted narratives. Celebrate any successful attempt.
78

Write a Story for a Specific Audience

Write the same story premise (a child who finds a magical object) TWO ways: once for a 5-year-old audience (simple vocabulary, clear structure, reassuring ending) and once for a 12-year-old audience (more complex vocabulary, more ambiguity, emotional depth).

Version for 5-year-olds:

Version for 12-year-olds:

What changed between versions?

79

Write a Genre Story: Choose Your Genre

Choose a genre: mystery, adventure, fantasy, realistic fiction, or science fiction. Write a story (12 sentences) that uses typical conventions of that genre. List 3 genre conventions you used.

My genre: ___

3 genre conventions I will use:

My story:

81

Extended Narrative: A Full Short Story

Write a complete short story (18–22 sentences) demonstrating full mastery of narrative craft. Requirements: hook opener, 5-event plot, two 'show don't tell' moments, dialogue with varied speech verbs, sentence length variety for pace, foreshadowing element, and a thematic resolution. Label each technique in the margin.

My plan:

My full story:

Techniques checklist:

82

Write a Story in a Different Genre From Your Usual Style

Write a story (12 sentences) in a genre you have never tried before. If you usually write adventure, try realistic fiction. If you usually write fantasy, try mystery. Identify 3 things that were different about writing in this new genre.

New genre: ___ My usual genre: ___

My story:

Three things that were different:

83

Rewrite a Published Story Opening in Your Own Voice

Find the opening paragraph of a favourite book. Read it carefully. Now rewrite it completely in your own style — same premise, same character, but entirely your own words, sentence structure and tone.

Book and author: ___

My rewritten version:

What I kept the same / what I changed:

TipThis 'author imitation' exercise, common among professional writers, develops voice while studying craft.
85

Write a Monologue: Character's Inner Voice

Write a monologue (8–10 sentences) from inside a character's head at the most tense moment of your story. Write exactly what they are thinking and feeling — the reader should understand the stakes even if no action is described.

Character and moment: ___

Inner monologue:

86

Self-Edit Using a Full Craft Checklist

Take your story from activity 81. Read it against this checklist and note any areas to improve. Then rewrite one full section based on your notes.

Hook: Is the first sentence interesting enough? Notes: ___

Setting: Are there at least two sensory details? Notes: ___

Character: Is the character shown through actions, not just described? Notes: ___

Pace: Does sentence length vary? Notes: ___

Ending: Is the theme clear without being stated? Notes: ___

Revised section:

87

Compare Your First and Final Draft

Find your very first story from this worksheet (activity 4) and compare it to your most recent story. Write a reflection on your development as a writer.

Differences I notice between the two stories:

Techniques I now use that I didn't before:

What I am most proud of in my most recent story:

88

Write a Series Premise

Plan the first three stories in a series featuring the same character. Each story should have a different problem but the same character, setting and theme. Write a 2-sentence summary for each story.

Series title: ___ Character: ___ Recurring setting: ___ Theme: ___

Story 1 summary:

Story 2 summary:

Story 3 summary:

89

Write a Scene You Are Proud Of

Write one scene from any of your planned stories that you are particularly excited about. Pour your best writing into this one scene — use every technique you have. This is your showcase writing.

My showcase scene:

Why I am proud of this scene:

91

Plan a Full Story Project

Plan a complete story (8+ paragraphs) that you will write over the next week. Include: a detailed character profile, a full setting description, a 6-event plot plan with problem ladder, a theme, and a list of 5 techniques you intend to use.

Character profile:

Setting description:

6-event plot:

Theme:

5 techniques I will use:

92

Write the First Chapter

Write the first chapter of your story project from activity 91. Aim for 15–20 sentences. This should be a polished, carefully crafted piece of writing.

Chapter 1:

93

Write a Story With No Dialogue at All

Write a story (10 sentences) that tells its story entirely through action and description — no dialogue whatsoever. Challenge yourself to reveal character and emotion without using speech.

My story (no dialogue):

What was hardest about not using dialogue?

94

Write a Story Using Only Dialogue

Write a scene (12+ lines) using ONLY dialogue and action tags — no narrative description. The reader must understand the setting, character, problem and emotion entirely from the dialogue.

My dialogue-only scene:

What the reader can figure out without description:

95

Write a Micro-Story (100 Words or Less)

Write a complete story in no more than 100 words. It must have a beginning, middle and end, at least one character, a clear problem and resolution, and a satisfying ending. Count your words after writing.

My micro-story:

Word count: ___

What I had to cut and why:

96

Investigate Story Openings: 5 Famous First Lines

Research or recall 5 famous or favourite story opening lines. Copy them out, then for each one write: what technique the author used, and why it works.

Line 1: ___ Technique and why it works: ___

Line 2: ___ Technique and why it works: ___

Line 3: ___ Technique and why it works: ___

Line 4: ___ Technique and why it works: ___

Line 5: ___ Technique and why it works: ___

98

Teach Story Structure to a Younger Child

Write an explanation of story structure (beginning, middle, end + problem/resolution) that a 5-year-old could understand. Use examples from stories they might know. Make it engaging and clear.

My explanation:

99

Reflection: My Story Writing Journey

Write a full reflection (8–10 sentences) on your development as a story writer through this worksheet. Include: the techniques you found most valuable, what was hardest, your favourite story you wrote, how your writing changed, and what you want to work on next.

My reflection: