Story Writing: Beginning, Middle and End
The Spark
Concept
Every good story has three parts: a beginning that introduces the characters and setting, a middle where something happens (usually a problem), and an end where the problem is resolved and we see how everyone feels. Having this structure helps young writers organise their ideas before they start.
Activity
Ask your child to think of their favourite story. Together, identify: Who is it about? What goes wrong? How does it end? This shows that all stories follow this shape.
Check
Does the story have a clear beginning, middle and end? Is there a problem that gets solved? Can your child explain why they made their character choices?
Put the Story Parts in Order (Set A)
These story events are mixed up. Number them 1–5 in the correct order.
Sort the Story Events Into Parts
Read each event. Sort it into the correct story part: Beginning, Middle or End.
Plan Your Story
Fill in the story plan. Use short notes — you will turn these into sentences later.
BEGINNING — Who is your character? Where are they? When?
MIDDLE — What problem or challenge happens?
END — How is the problem solved? How does your character feel?
Write Your Story
Use your plan to write your story. Write at least 2–3 sentences for each part. Give it a title!
Title:
BEGINNING:
MIDDLE:
END:
Match the Story Element to Its Purpose
Draw a line from each story element to what it does in the story.
Write a Story Opener
Write the first 2–3 sentences of a story. Your opener must introduce: (1) the main character, (2) where they are, and (3) something that makes the reader want to keep reading.
My story opener:
What technique did I use to hook the reader?
Which Is the Best Story Opener?
Circle the opener that is most likely to hook a reader. Then explain why.
Which is the best opener for a mystery story?
Which is the best opener for an adventure story?
Put the Story in Order (Set B)
Number these sentences 1–6 to make a story that flows logically.
Identify the Problem in These Story Summaries
Read each story summary. Write the PROBLEM (what makes it interesting) and the RESOLUTION (how it is solved).
Summary: 'A boy got lost in the bush but found his way home by following a creek back to the road.' Problem: ___ Resolution: ___
Summary: 'A girl wanted to bake a birthday cake but had no eggs. She borrowed them from a neighbour and the party was saved.' Problem: ___ Resolution: ___
Plan Three Different Stories Using the Same Structure
Use this planning frame three times to quickly plan three different story ideas.
Story 1 — Character: ___ Setting: ___ Problem: ___ Resolution: ___
Story 2 — Character: ___ Setting: ___ Problem: ___ Resolution: ___
Story 3 — Character: ___ Setting: ___ Problem: ___ Resolution: ___
Which idea do I like best and why?
Write the Middle of a Story
Here is the beginning and end of a story. Write the MIDDLE — what problem happens and how does the character begin to deal with it? BEGINNING: 'Zoe had been waiting all year for the school camping trip. When the day finally arrived, she jumped out of bed before the alarm even went off.' END: 'Back at camp that evening, Zoe laughed about the day's adventure. It had not gone to plan — but it was the best story she had ever lived.'
MIDDLE:
Write the End of a Story
Here is the beginning and middle. Write the END — resolve the problem and show how the character feels. BEGINNING: 'Oscar the dog loved to explore the park. One Thursday morning, he slipped through a gap in the fence and found himself on a very unfamiliar street.' MIDDLE: 'Oscar walked for what felt like hours. He tried to follow familiar smells but everything was strange. He stopped at a busy corner, unsure which way to go. A small girl noticed him and read the name on his collar: OSCAR.'
END:
Show, Don't Tell: Rewrite These Sentences
Rewrite each 'telling' sentence as a 'showing' sentence — reveal the feeling through actions or details.
Telling: She was nervous. Showing:
Telling: He was excited. Showing:
Telling: They were bored. Showing:
Telling: The old house was spooky. Showing:
Develop Your Character
Choose a character for your next story. Fill in the character profile.
Name: ___ Age: ___ Appearance: ___
What does your character want most in the world?
What is your character afraid of?
What is one surprising thing about your character?
Write 2 sentences that SHOW (not tell) your character's personality:
Sort: Show or Tell?
Read each sentence. Sort it into 'Shows the feeling' or 'Tells the feeling'.
Story Telling Together
Tell stories together out loud — this builds narrative structure naturally before writing.
- 1Take turns telling a made-up story — alternate adding one sentence each
- 2Retell a favourite book in just three sentences (beginning, middle, end)
- 3Act out your story with toys or stuffed animals
- 4Record your child telling their story on a phone or tablet to play back
Describe the Setting in Detail
Write a setting description (4–5 sentences) for a story. Use sensory details (what you see, hear, smell, feel). Your setting should create a strong mood.
My chosen setting: ___
My setting description:
Sort Setting Details by Sense
Read each setting detail. Sort it by which sense it appeals to.
Write a Story Opening Using the SENSE Method
Write a 4-sentence story opening using one detail from each sense category. Your opening should set the scene and mood without yet introducing the problem.
Sight: ___
Sound: ___
Smell or touch: ___
Combine them into a flowing paragraph:
Create a Problem and a Solution
Write 3 different problems that could happen to this character: a 7-year-old who wakes up to find they have shrunk to the size of a mouse. Then choose the best one and write how the character solves it.
Problem 1:
Problem 2:
Problem 3:
Best problem: ___ Solution:
Write Using Story Prompts: The Mysterious Key
Use this story starter to write a complete story (beginning, middle, end). Starter: 'On the morning of her eighth birthday, Rosa found a golden key under her pillow.'
My plan: Character: ___ Problem: ___ Resolution: ___
My story:
Practise Writing Dialogue
Write a short dialogue (4–6 lines) between two characters — a child and a talking animal. The dialogue should reveal something about the problem in the story.
My dialogue:
Which Dialogue Is Correctly Punctuated?
Circle the correctly punctuated version of each dialogue.
Choose the correct version:
Choose the correct version:
Choose the correct version:
Vary the Dialogue Verb
Rewrite each 'said' sentence using a more interesting speech verb. The verb should show HOW the character spoke.
'Watch out!' said Jake. → ___
'I don't know the answer,' said Lily. → ___
'Please, I'll do anything,' said the prisoner. → ___
'I've done it!' said the scientist. → ___
Plan a Problem Ladder
Choose a problem for a character. Plan a 'problem ladder' — the character tries and fails before eventually succeeding.
Character: ___ Problem: ___
First attempt (what they try): ___
What goes wrong: ___
Second attempt: ___
Final resolution: ___
Write a Story With a Problem Ladder
Using your problem ladder plan, write a story (8–10 sentences) that shows the character trying and failing before finally succeeding.
My story:
Write Using a Random Story Generator
Use these randomly chosen elements to write a story plan and then the first paragraph. Character: an elderly lighthouse keeper. Setting: a deserted island in a storm. Problem: the lighthouse light has gone out and a ship is heading for the rocks.
My plan (beginning/middle/end):
My first paragraph:
Order the Story Steps: Problem Ladder
These sentences tell a story with a problem ladder. Number them in the correct order (1–6).
Develop Your Story's Ending
Read these three types of story ending. Write one example of each, using the same story (a child who gets lost on a school excursion).
Happy ending (problem fully solved, character feels relieved/happy):
Reflective ending (character learns something about themselves):
Open ending (leaves the reader wondering what happens next):
Write a Complete Short Story: Bush Adventure
Write a complete short story (10–12 sentences) about a child who gets lost in the Australian bush. Use: a hook opener, sensory setting description, a problem ladder with at least 2 attempts, dialogue, and a satisfying ending.
My plan:
My story:
Which Word Is the Better Choice?
Circle the more vivid, specific word in each pair for use in story writing.
The character walked into the room.
The house was old and scary.
She felt sad when she heard the news.
The animal made a noise.
She said she was frightened.
Story Ideas Notebook
Start a 'Story Ideas' notebook this week. Every day, add at least one new idea.
- 1Write 3 interesting character ideas (who are they? what do they want?)
- 2Sketch or describe 2 unusual or interesting settings
- 3Write 3 story problems that would make a reader curious
- 4Find one interesting overheard phrase that could start a story
Write With a Twist Ending
Write a short story (8 sentences) that ends with a TWIST — something the reader doesn't expect. Set up the twist carefully in the beginning and middle.
My twist (keep secret until the end): ___
My story:
Write a Story with Strong Character Voice
Write a story (10 sentences) in first person (using 'I'). Your story should clearly show your character's personality through the way they think and speak — not just what happens.
My story (in first person):
Edit Your Story: Check for All Elements
Re-read your story from activity 41. Use this checklist to review it and then rewrite one section to improve it.
Does it have a hook opener? Yes/No. If no, rewrite the opener:
Does the setting use sensory details? Yes/No. Add one sensory detail:
Is there a clear problem? Yes/No. What is it?
Is there a satisfying ending? Yes/No. If not, rewrite the ending:
Sort Story Techniques by Purpose
Sort each technique into the correct column based on its main purpose.
Write Three Story Openers Using Different Techniques
Write three different opening sentences for the same story idea (a child who discovers a hidden room in their home). Use a different technique for each one.
Opener 1 — Start with action: ___
Opener 2 — Start with a question: ___
Opener 3 — Start with setting/atmosphere: ___
Which opener is most effective? Why?
Rewrite a Passage: Vary Sentence Length for Effect
Read this passage. It uses all long sentences. Rewrite it to create more tension using short sentences at the most exciting moment. Original: 'She opened the door and walked down the long corridor and the lights flickered as she reached the end and she heard a sound from behind the last door and she stopped and turned around.'
My revised version (use varying sentence lengths):
Write a Tension-Building Scene
Write a scene (6–8 sentences) from the middle of a story where tension is building. Use: short sentences at the most tense moment, sensory details, and show (don't tell) the character's fear.
My tension scene:
Match the Story Technique to an Example
Draw a line from each technique to the best example of it.
Write a Complete Story Demonstrating All Techniques
Write a complete story (12–15 sentences) using all the techniques you have learned. Your story must include: a hook opener, sensory setting description, a character revealed through actions or dialogue (show, don't tell), a problem ladder, sentence variety, and a satisfying ending.
My plan:
My story:
Read Like a Writer
Read any story this week with a writer's eye. Notice the techniques the author uses.
- 1How does the story start? What technique does the author use?
- 2Find one example of 'show, don't tell' and copy it out
- 3Notice where the author uses short sentences — what effect does it create?
- 4How does the story end? Does it feel satisfying? Why or why not?
Write a Story From an Unusual Perspective
Write a story (10 sentences) from the perspective of an unusual narrator — an object, an animal, or a minor background character. Stay in that perspective for the whole story.
My narrator: ___
My story:
Rewrite a Familiar Story From a Different Perspective
Choose a familiar fairy tale or story (e.g. 'The Three Little Pigs', 'Cinderella', 'Goldilocks'). Rewrite the story from the perspective of a minor or villain character. What does the story look like from THEIR point of view?
Story chosen: ___ Perspective character: ___
My retelling:
Sort Story Elements: Plot vs Character vs Setting
Sort each element into the correct category.
Write a Story Where Setting Drives the Plot
Write a story (10 sentences) where the SETTING creates the problem. The setting should be so important that the plot couldn't happen anywhere else.
My setting: ___
How the setting creates the problem: ___
My story:
Write a Dialogue-Driven Scene
Write a scene (8–10 lines of dialogue + action tags) where the dialogue moves the plot forward and reveals character. Include at least 3 different speech verbs.
My dialogue scene:
Analyse a Story: Identify All the Techniques
Read this short story excerpt. Identify: the setting, the character, the hook technique used, any 'show don't tell' moments, and the sentence variety used. 'The lighthouse was dark. It hadn't been dark in forty years. Mira pressed her face against the cold glass and stared at the rocks below. A ship was coming. She could see its lights blinking slowly through the fog. She had maybe twenty minutes. She ran.' (Note: This is an original excerpt created for this activity.)
Setting: ___
What we know about Mira (from 'showing'): ___
Hook technique: ___
Sentence length effect: ___
What happens next? (Continue the excerpt for 3 sentences):
Write a Story Opening Three Ways: Compare the Effect
Write the same story opening (a fire at a school) three ways: (1) boring version, (2) using a hook and action, (3) using atmosphere and setting. Then explain which is best.
(1) Boring version:
(2) Hook and action version:
(3) Atmosphere and setting version:
Which is most effective and why?
Plan and Write a Longer Story
Plan a story with at least 5 key plot events (problem ladder). Then write the full story (15–18 sentences). Use at least 4 different writing techniques you have learned.
My 5-event plot plan:
Techniques I will use:
My story:
Organise Your Story Into Paragraphs
Take a story you have written in this worksheet. Plan how you would divide it into paragraphs. Write the first line of each planned paragraph and explain what the paragraph covers.
Paragraph 1 — first line: ___ Covers: ___
Paragraph 2 — first line: ___ Covers: ___
Paragraph 3 — first line: ___ Covers: ___
Paragraph 4 — first line: ___ Covers: ___
Paragraph 5 — first line: ___ Covers: ___
Write a Story in Paragraphs
Write a complete story in 5 clear paragraphs. Each paragraph should have a clear focus. Label each paragraph: Opening / Build-up / Problem / Climax / Resolution.
Opening:
Build-up:
Problem:
Climax:
Resolution:
Story Review: Identify Strengths and Areas to Improve
Swap a story you have written with someone at home (or self-evaluate). Write a review identifying: 2 strengths, 1 technique the writer used effectively, and 1 suggestion for improvement.
Story reviewed: ___
Strength 1: ___
Strength 2: ___
Effective technique: ___
One suggestion for improvement: ___
Revise a Story Based on Feedback
Take a story you have written and rewrite one complete section (beginning, middle or end) to improve it. Use the feedback from activity 64 or your own critical reading. Show both the original and the revised version.
Section I am revising: ___
Original version:
Revised version:
What I changed and why:
Write a Story With a Moral or Theme
Write a story (10–12 sentences) where the events lead the character to learn something important — a 'theme' or 'moral'. Write what the theme is BEFORE you write the story, then make sure the plot supports it.
My theme/moral: ___
How the plot will show this: ___
My story:
Sort These Stories by Their Theme
Read each one-sentence story summary. Match it to the most likely theme.
Write a Story Plan for a Theme of Your Choice
Choose a theme that matters to you. Plan a story that explores this theme through character and plot — without ever stating the theme directly in the story.
My theme: ___
Character: ___ Problem related to theme: ___
How the plot develops the theme: ___
Ending that shows the theme: ___
Story Structure Analysis at Home
Watch a film or TV show together. Analyse its story structure after.
- 1Identify the beginning, middle and end of the film
- 2What is the main character's problem?
- 3What attempts do they make to solve it before they succeed?
- 4What do they learn? What is the theme?
Story Analysis: How Do Professional Writers Structure Their Stories?
Choose any novel or picture book you have read. Analyse its structure by answering these questions.
Book title: ___ Author: ___
How does the story begin? What technique does the author use?
What is the main problem? How many attempts does the character make?
How does the story end? Is it satisfying? Why?
What is the theme?
One technique you would like to borrow for your own writing:
Write a Story That Subverts a Convention
Choose a familiar story convention (e.g. the hero always wins, happy endings, the villain is always evil) and deliberately subvert (break) it in your story. Write the story (10–12 sentences) and explain your choice.
Convention I am subverting: ___
How my story breaks it: ___
My story:
Extended Narrative: Three-Scene Story
Write a three-scene story. Each scene must have a clear setting, at least one line of dialogue, and a distinct purpose in the plot. Scene 1 = introduction. Scene 2 = complication/problem. Scene 3 = resolution.
Scene 1:
Scene 2:
Scene 3:
Analyse Sentence-Level Craft
Read the following three sentences. For each one, explain: why the author made this word choice, what effect it creates, and whether you find it effective. 1. 'The empty house waited.' 2. 'She ran until the sound stopped.' 3. 'He laughed, but his eyes were sad.' (Note: These are original sentences created for this activity.)
'The empty house waited.' — Analysis:
'She ran until the sound stopped.' — Analysis:
'He laughed, but his eyes were sad.' — Analysis:
Write a Story With Foreshadowing
Write a story (10–12 sentences) where you plant a small clue or hint in the first paragraph that becomes important at the end. After writing, highlight the foreshadowing moment and explain it in brackets.
My foreshadowing element: ___
My story:
Explanation of the foreshadowing:
Write a Story Using Parallel Structure
Write a story where the beginning and ending mirror each other in some way (e.g. same setting, same action, same sentence) — but the meaning has changed because of what happened in the middle.
My opening (first paragraph):
My middle (what happens to change things):
My closing (echoes the opening but with new meaning):
How the meaning of the repeated element has changed:
Write a Story for a Specific Audience
Write the same story premise (a child who finds a magical object) TWO ways: once for a 5-year-old audience (simple vocabulary, clear structure, reassuring ending) and once for a 12-year-old audience (more complex vocabulary, more ambiguity, emotional depth).
Version for 5-year-olds:
Version for 12-year-olds:
What changed between versions?
Write a Genre Story: Choose Your Genre
Choose a genre: mystery, adventure, fantasy, realistic fiction, or science fiction. Write a story (12 sentences) that uses typical conventions of that genre. List 3 genre conventions you used.
My genre: ___
3 genre conventions I will use:
My story:
Extended Narrative: A Full Short Story
Write a complete short story (18–22 sentences) demonstrating full mastery of narrative craft. Requirements: hook opener, 5-event plot, two 'show don't tell' moments, dialogue with varied speech verbs, sentence length variety for pace, foreshadowing element, and a thematic resolution. Label each technique in the margin.
My plan:
My full story:
Techniques checklist:
Write a Story in a Different Genre From Your Usual Style
Write a story (12 sentences) in a genre you have never tried before. If you usually write adventure, try realistic fiction. If you usually write fantasy, try mystery. Identify 3 things that were different about writing in this new genre.
New genre: ___ My usual genre: ___
My story:
Three things that were different:
Rewrite a Published Story Opening in Your Own Voice
Find the opening paragraph of a favourite book. Read it carefully. Now rewrite it completely in your own style — same premise, same character, but entirely your own words, sentence structure and tone.
Book and author: ___
My rewritten version:
What I kept the same / what I changed:
Write a Monologue: Character's Inner Voice
Write a monologue (8–10 sentences) from inside a character's head at the most tense moment of your story. Write exactly what they are thinking and feeling — the reader should understand the stakes even if no action is described.
Character and moment: ___
Inner monologue:
Self-Edit Using a Full Craft Checklist
Take your story from activity 81. Read it against this checklist and note any areas to improve. Then rewrite one full section based on your notes.
Hook: Is the first sentence interesting enough? Notes: ___
Setting: Are there at least two sensory details? Notes: ___
Character: Is the character shown through actions, not just described? Notes: ___
Pace: Does sentence length vary? Notes: ___
Ending: Is the theme clear without being stated? Notes: ___
Revised section:
Compare Your First and Final Draft
Find your very first story from this worksheet (activity 4) and compare it to your most recent story. Write a reflection on your development as a writer.
Differences I notice between the two stories:
Techniques I now use that I didn't before:
What I am most proud of in my most recent story:
Write a Series Premise
Plan the first three stories in a series featuring the same character. Each story should have a different problem but the same character, setting and theme. Write a 2-sentence summary for each story.
Series title: ___ Character: ___ Recurring setting: ___ Theme: ___
Story 1 summary:
Story 2 summary:
Story 3 summary:
Write a Scene You Are Proud Of
Write one scene from any of your planned stories that you are particularly excited about. Pour your best writing into this one scene — use every technique you have. This is your showcase writing.
My showcase scene:
Why I am proud of this scene:
Plan a Full Story Project
Plan a complete story (8+ paragraphs) that you will write over the next week. Include: a detailed character profile, a full setting description, a 6-event plot plan with problem ladder, a theme, and a list of 5 techniques you intend to use.
Character profile:
Setting description:
6-event plot:
Theme:
5 techniques I will use:
Write the First Chapter
Write the first chapter of your story project from activity 91. Aim for 15–20 sentences. This should be a polished, carefully crafted piece of writing.
Chapter 1:
Write a Story With No Dialogue at All
Write a story (10 sentences) that tells its story entirely through action and description — no dialogue whatsoever. Challenge yourself to reveal character and emotion without using speech.
My story (no dialogue):
What was hardest about not using dialogue?
Write a Story Using Only Dialogue
Write a scene (12+ lines) using ONLY dialogue and action tags — no narrative description. The reader must understand the setting, character, problem and emotion entirely from the dialogue.
My dialogue-only scene:
What the reader can figure out without description:
Write a Micro-Story (100 Words or Less)
Write a complete story in no more than 100 words. It must have a beginning, middle and end, at least one character, a clear problem and resolution, and a satisfying ending. Count your words after writing.
My micro-story:
Word count: ___
What I had to cut and why:
Investigate Story Openings: 5 Famous First Lines
Research or recall 5 famous or favourite story opening lines. Copy them out, then for each one write: what technique the author used, and why it works.
Line 1: ___ Technique and why it works: ___
Line 2: ___ Technique and why it works: ___
Line 3: ___ Technique and why it works: ___
Line 4: ___ Technique and why it works: ___
Line 5: ___ Technique and why it works: ___
Teach Story Structure to a Younger Child
Write an explanation of story structure (beginning, middle, end + problem/resolution) that a 5-year-old could understand. Use examples from stories they might know. Make it engaging and clear.
My explanation:
Reflection: My Story Writing Journey
Write a full reflection (8–10 sentences) on your development as a story writer through this worksheet. Include: the techniques you found most valuable, what was hardest, your favourite story you wrote, how your writing changed, and what you want to work on next.
My reflection: